| Bontempi
HT
313.10 |
|
short analogue keyboard
with home organ sound & accompaniment |
|
|
This toy-like keyboard from 1984 was the little sister of the wonderful
Bontempi
MRS 52/D. Unlike the latter, the accompaniment can be only played
through the chord sequencer, there is no arpeggio, no manual chord mode
and it has only 25 keys. Also the analogue sound (especially drums) seems
to be a bit thinner and less warm.
This instrument was apparently also released as Bontempi HT 313-T100
and Bontempi MRS 52/0 (seen on eBay). Due to the similarities
with Bontempi MRS 52/D I only
describe here the differences to the latter.
different main features:
-
only 25 midsize keys
-
main voice polyphony always only 4 notes
-
different 6 preset sounds {organ, clarinet, violin, piano, harpsi, glock.}
(selected in a sequence by a single button)
-
accompaniment can not be played live, but only through the chord sequencer
-
chord sequencer has no edit functions
-
no arpeggio
-
no "rhythm/ accomp. balance" knob
-
CPU "IMP 8442XCA, B-27430870" (40 pin DIL)
-
no line out jack
notes:
Like with Bontempi MRS 52/D,
the main PCB of the Bontempi HT 313.10 contains a lot of discrete
analogue stuff and seems to be technically similar; like the latter there
are trimmer pots for main and rhythm voice pitch and vibrato intensity.
The user interface works a little different since it employs less buttons
than the MRS 52/D, but the chord sequencer works similar (see there),
although it has only the "half", "whole" and "end" functions (on rightmost
white keys) and thus lacks the edit controls. The LCD otherwise looks identical
and there are also the same audiogames. The black acryl control panel with
its green, yellow and red diagrams and funky orange buttons is a nice piece
of classic cyberage design and reminds to the computer console from Disney's
"Tron" movie.
attention: When AC- adapter voltage is set too high, the rhythm
voice falls silent and only sounds during played keyboard notes; this can
be confusing.
The preset sound style resembles the MRS 52/D, although 2 sounds
are different. The "clarinet" is made from plain squarewave with delayed
vibrato and reminds to a recorder flute, while the "glock." (means glockenspiel?)
is a cheesy squarewave musicbox sound made from the same timbre with decay
envelope. The "sustain" button adds a quite long 3s sustain to the sounds.
There is no manual chord mode on this instrument; only during chord
programming the entire keyboard (beside the rightmost 4 control keys) plays
single finger organ chords. In opposite to this, the running chord sequencer
can only play accompaniment (with rhythm) and can not be used to play "manual"
organ chords without a rhythm. During rhythm the "accomp, mem cancel, game
select" button toggles between accompaniment (so far it was previously
programmed in the chord sequencer) and plain rhythm; each press of this
button immediately restarts the running rhythm pattern, which can be used
as a sound effect. The "play, rec, game" button cycles through normal mode,
chord sequencer record mode and audio game mode (where the previous button
selects the game number - the MRS 52/D employs the "function" and
"mode" button in a similar manner to navigate through its more versatile
menu).
Generally the small Bontempi HT 313.10 is a nice sounding
analogue keyboard, although more restricted and not as great as the Bontempi
MRS 52/D.
| removal
of these screws voids warranty... |
|
|
 |
|
|
| |
back
|
|