| Elta KE-3 |
|
analogue squarewave keyboard with accompaniment but no rhythm |
Angeltone
DM-200
Elta KE-3
This small beginners/ toy keyboard is something really bizarre, because
it has 8 nice accompaniments with even arpeggio, but no rhythm(!). Its
warm squarewave sound and technology resemble very much the Angeltone
DM-380/ Fujitone 3-A.
(see there) although it has less features.
It has also 8 nice demo melodies. Unfortunately at least in unmodified
state a keyboard matrix flaw prevents to play certain notes simultaneously
despite it is 2 note polyphonic, and volume is too loud and can not be
set reasonable low.

On the box is still a tag showing that the German initial retail price
was 89DM (about 40€), and the keyboard picture on the box has a crossed
out brand label "ANGELTONE", which apparently was the genuine manufacturer
of this small tablehooter. It was also released as Fujiyama 230
(by "Japan Design"?, seen on eBay).
 |
crossed-out Angeltone logo on the box photo |
main features:
-
37 mini keys
-
2 built-in speakers (mono, but nice quality)
-
main voice polyphony only 2 notes (a keyboard flaw truncates held
notes during fast play, only 1 note with accompaniment)
-
8 OBS preset sounds {piano, oboe, guitar, xylophone, piccolo, mandolin,
organ, harpsichord}
-
8 OBS preset accompaniments {rhumba, march, pops, bossanova, tango, disco,
16 beat, waltz} (mislabelled "rhythm")
-
volume +/- buttons (4 steps, all are way too loud)
-
single finger chord (mislabelled "fingered", only accompaniments, no organ
chord mode)
-
arpeggio button
-
tempo +/- buttons (64 steps?)
-
accompaniment tempo can be set to ridiculous high speeds (>300 BPM?)
-
CPU= "Zilog KZ282, R417, LIL8911ASIC,
9406 D6" (40 pin DIL)
-
simple sequencer (monophonic record/ playback with fixed key accompaniment,
no edit)
-
auto power-off
-
8 lovely demo melodies (with accompaniment)
eastereggs:
-
button for different arpeggio addable (button from CPU pin 37 to pin 10)
-
2 additional demo buttons addable (those only change the start tune =>useless)
-
5 lower and 7 higher note keys addable
-
Y-C switch addable (change single finger chord playing method).
modifications:
missing keyboard matrix diodes added.
notes:
This strange instrument seems to be a simplified variant of the Angeltone
DM-380 hardware and has no analogue percussion section anymore to reduce
cost. Like the similar HBATEC it has a
Zilog
brand CPU, but this CPU resembles more the Angeltone one since it
has 40 pins (HBATEC has 28), no organ chord mode and supports a 2nd arpeggio
button. But unlike both, it does not support 16 rhythms nor a fingered
chord mode in the keyboard matrix (although in supports 49 keys). Unlike
the Angeltone DM-380 and
HBATEC,
when "rhythm" is started,
the accompaniment does not stay silent when the "fingered" button of the
"auto bass chord" panel section is not pressed (by the lack of rhythm otherwise
it wouldn't play anything); instead it always plays a fixed key accompaniment
while all keys play the main voice, which also hints that this CPU was
likely never intended to have real rhythm. When "fingered" is enabled,
the left keyboard section is in single finger chord mode (only accompaniment,
no organ chords); after selecting a chord, you can switch it "off" again
to use the full keyboard for melody play together with that chord, but
the arpeggio still works only while "fingered" is enabled, which looks
like a design flaw. Another bug is that with "rhythm" off and "fingered"
enabled, the main voice stays monophonic despite there is no organ chord
mode and thus all keys play only the melody voice. The accompaniment button
shape was obviously inspited by the rubber effect pad buttons of Casio
MT-540.
Generally the Elta KE-3 sounds much like the Angeltone
DM-380/ Fujitone 3-A;
the only main differences are the digital volume and power buttons (with
auto power- off), the 64 step resolution tempo control (most steps are
in the slow range) and the simple sequencer (monophonic record/ playback
with fixed key accompaniment, no edit). It also features many nice sounding
squarewave demo melodies, those play in an endless sequence but the start
melody can be selected by pressing its corresponding piano key together
with the "demo" button.
circuit bending details
The hardware of the Elta KE-3 is based on the "Zilog KZ282" CPU
(40 pin DIL). It is basically a very simplified successor of the HBATEC
keyboard. To reduce part count, the analogue percussion was completely
omitted, so it only plays squarewave accompaniment. Despite this, the small
PCB still contains a lot of discrete components (analogue envelope controls,
auto power- off etc.). Extremely bizarre is that this PCB (labelled "S2312,
9012 2002" and "TC370 91 2 5") has white component placement
marks printed on its top, but a lot of components are soldered in totally
different places those contradict the marks (e.g. a transistor is where
a capacitor should go and vice versa etc.). I never saw such a messed up
PCB elsewhere in a consumer product; I can only imagine that this thing
was either a prototype or a new CPU was released that had a changed pinout
and thus the poor factory pieceworkers were urged to solder the discrete
components differently to adapt the given PCB to it (it must be badly confusing
to assemble such PCBs). E.g. there was a shorted solder joint that looked
like a fault, but when cut open, the envelope of the 2nd main voice (or
the arpeggio) plays too short, thus it was likely intended to be shorted
and I had to solder it back.
keyboard matrix
|
5
|
6
|
7
|
10
|
3
|
4
|
25
|
16
|
17
|
18
|
22
|
|
CPU pin
|
|
in 1
|
in 2
|
in 3
|
in 4
|
in 5
|
in 6
|
in 7
|
in 8
|
in 9
|
in 10
|
out P
|
in / out
|
|
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
L.
/rec
|
out 1
|
30
|
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
L.
/tempo
|
out 2
|
34
|
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
L.
/tempo
|
out 3
|
19
|
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
L.
/fingered
|
out 4
|
35
|
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
o
|
C.
Y/C
|
|
out 5
|
36
|
volume
+
|
volume
-
|
C.
arpeggio1
|
C.
arpeggio2
|
C.
fingered
|
C.
off
|
tempo
-
|
tempo
+
|
R.
start/stop
|
R.
rhumba
|
T.
base
|
out 6
|
37
|
R.
march
|
R.
pops
|
R.
bossanova
|
R.
tango
|
R.
disco
|
R.
16 beat
|
R.
waltz
|
R.
synchro
|
R.
start
|
R.
stop
|
T.
hihat
|
out 7
|
38
|
R.
start/stop
|
O.
piano
|
O.
oboe
|
O.
harpsichord
|
O.
xylophone
|
O.
piccolo
|
O.
mandolin
|
O.
organ
|
O.
guitar
|
record
|
T.
tom
|
out 8
|
39
|
|
playback
|
demo
1
|
demo
2
|
demo
3
|
|
|
|
|
|
power
off
|
|
out 9
|
2
|
The input lines are active-low, i.e. react on GND. Any functions can
be triggered by a non- locking switch in series to a diode from an "in"
to an "out" pin. The matrix was sorted by ascending key notes ( = ribbon
cables in Angeltone DM-200).
legend:
|
|
|
"o"
|
= keyboard key |
|
underlined
|
= function needs locking switch (i.e. stays active only so long the
switch is closed) |
|
R.
|
= preset rhythm |
|
O.
|
= preset sound ('orchestra') |
|
C.
|
= chord |
|
L.
|
= led out |
|
T.
|
= percussion trigger out |
orange
background |
= easteregg (unconnected feature) |
eastereggs:
-
5 lower and 7 higher note keys addable
-
separate rhythm start & rhythm stop button
not needed - you can select demos anyway with normal "demo" button
+ leftmost keys.
-
Y-C switch
a locking switch here changes the single finger chord playing method
from Yamaha to Casio (see here).
Like with the HBATEC, there are LEDs and
percussion trigger outs hidden in the matrix. But by the lack of its discrete
analogue percussion circuits it would be very difficult to add them.
fix key matrix flaw
A design flaw in the Elta KE-3 keyboard matrix prevents to play any
2 note combinations those share the same key matrix row. To fix this, solder
a diode into each matrix input line of the keyboard PCB (ribbon cable).
reduce volume
The instrument plays always quite loud and even at the lowest setting
it is still loud enough to annoy neighbours tonight (although at least
the speakers sound nicely warm and don't distort). To reduce the volume,
solder a 10 Ohm resistor into the loudspeaker line.
pinout KZ282
The "Zilog KZ282, R417, LIL8911ASIC" (40 pin DIL) is a squarewave home
keyboard CPU with 2 note polyphonic main voice and accompaniment. It strongly
resembles the KZ283 of the
HBATEC
keyboard, but has 40 pins to support a conventional keyboard matrix. The
2 main voice channels have analogue capacitor envelopes controlled through
each a short envelope trigger pulse /ME and a duration signal /MH that
indicates how long the key is held. The 4 step digital volume control uses
a 2 bit output. Pin 20 outputs something that looks like the clock divided
by 2. Pin 22 combined with the keyboard matrix outs can control LEDs and
3 (unused) percussion triggers.
Pinout comparison with the Zilog Z86C30 datasheet strongly hint
that this is a Zilog Z86C40 MCU (236 bytes RAM, 4KB ROM, 16MHz). Even the
in-only and out-only port pins match. The port pin order is a mess, don't
ask me why. This pinout is based on my own hardware observation combined
with above MCU. Line names were chosen by me to describe their functions
(partly inspired by Casio naming conventions).
| pin |
name |
line |
purpose |
| 1 |
R//W |
|
read/write out (not used) |
| 2 |
P25 |
/KO9 |
key matrix out |
| 3 |
P26 |
/KI5 |
key matrix in |
| 4 |
P27 |
/KI6 |
key matrix in |
| 5 |
P04 |
/KI1 |
key matrix in |
| 6 |
P05 |
/KI2 |
key matrix in |
| 7 |
P06 |
/KI3 |
key matrix in |
| 8 |
P14 |
C1 |
chord tone 1 out |
| 9 |
P15 |
C2 |
chord tone 2 out |
| 10 |
P07 |
/KI4 |
key matrix in |
| 11 |
VCC |
|
supply voltage +5V |
| 12 |
P16 |
B |
bass tone out |
| 13 |
P17 |
/APO |
standby out |
| 14 |
XTAL2 |
|
crystal out |
| 15 |
XTAL1 |
|
crystal in / clock in (LC oscillator, about 7MHz) |
| 16 |
P31 |
/KI8 |
key matrix in |
| 17 |
P32 |
/KI9 |
key matrix in |
| 18 |
P33 |
/KI10 |
key matrix in |
| 19 |
P34 |
/KO3 |
key matrix out |
| 20 |
/AS |
|
address strobe out (NC, about 3.3MHz = half clock frequency?) |
| 21 |
/RESET |
|
reset |
| 22 |
P35 |
/KP |
matrix percussion & led out |
| 23 |
P37 |
/MH1 |
melody channel 1 held |
| 24 |
P36 |
M1 |
melody channel 1 tone out |
| 25 |
P30 |
/KI7 |
key matrix in |
| 26 |
P00 |
/VOL0 |
volume bit 0 out |
| 27 |
P01 |
/VOL1 |
volume bit 1 out |
| 28 |
P10 |
/ME2 |
melody channel 2 & arpeggio envelope pulse out |
| 29 |
P11 |
M2 |
melody channel 2 & arpeggio tone out |
| 30 |
P02 |
/KO1 |
key matrix out |
| 31 |
GND |
|
ground 0V |
| 32 |
P12 |
/ME1 |
melody channel 1 envelope pulse out |
| 33 |
P13 |
/MH2 |
melody chanel 1 held |
| 34 |
P03 |
/KO2 |
key matrix out |
| 35 |
P20 |
/KO4 |
key matrix out |
| 36 |
P21 |
/KO5 |
key matrix out |
| 37 |
P22 |
/KO6 |
key matrix out |
| 38 |
P23 |
/KO7 |
key matrix out |
| 39 |
P24 |
/KO8 |
key matrix out |
| 40 |
/DS |
|
data strobe out (not used) |
|
All demos use a monophonic main voice with only the standard accompaniment
and arpeggio, but they switch them in nice ways. Names were partly identified
by the Angeltone DM-200 manual,
which however lists them in different order and also some names seem to
be different (possibly Chinese names of well known melodies).
The demo melodies are:
-
Oh La Paloma Blanca
-
Night in Moscow Suburb
-
Music Box Dancer (here called "The Concert"?)
-
Tea- Picking Melody (a Chinese tune)
-
Edelweis (slow waltz)
-
Wa Haha (a Russian tune?)
-
For Elise (here called "The Youngman"?)
Angeltone DM-200
This is another keyboard based on the same hardware class like Elta
KE-3. Unlike the latter, it has matrix diodes and thus no polyphony
flaw. But it lacks the power-off button (only auto power- off) and plays
a different arpeggio.

different main features:
-
no polyphony flaw
-
only 1 speaker (mine was bent =>distorted horribly)
-
no power off button (only auto power- off)
-
different arpeggio
-
CPU= "Zilog KZ282, R417, LIL8911ASIC,
9020 E2" (40 pin DIL)
 |
 |
panel PCB has empty solder holes |
 |
eastereggs:
-
button for different arpeggio addable (button from CPU pin 37 to pin 7)
The
golden "ANGELTONE" logo sticker on the case is made of hologram foil. The
main PCB (labelled "S2011") is less messed up and not hacked together;
there are only a few omitted discrete components printed on it. The manual
is a mess of Engrish misspellings, and its German translation is even worse.
The speaker of my (used) specimen was bent and distorted horribly; after
manually aligning the diaphragm it now sounds fairly ok. This instrument
was also released as ESD TK-25 (told by eBay vendor).
Likely a fullsize variant with Fujitone
3-A case without drumpads and 'rec' & 'play' instead of custom
drummer 'play/space' & 'program' buttons was released by Hua
Li (only 2 Chinese characters) as DM-250. (Box shows brand "discover
MTC" and "MusiTech Collection" with an MC-3
case (dummy?) MusiTech MT-4000, seen on internet.) I expect this
to have a KZ282 CPU due to the sequencer
buttons. Due to omitted drumpads likely also this one lacks percussion
hardware.
| removal
of these screws voids warranty... |
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