![Golden Camel-7A [Mutant Camel]](picts/Mutant Camel_logo1.jpeg) |
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| monophonic
analogue transistor tablehooter |
| "toot... toooot...
What the *beep*
is that?" |
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In 1990th, transistor tooters formed the acme
of inexpensive Asian keyboard development. Yes, the ACME.
We now proudly present - the
likely world worst keyboard of all times!... ???
This thing was initially rather a fraudulent prop
than a serious keyboard instrument, and the botched mechanical construction
with its cable mess looks very much like assembled in a Chinese concentration
camp, therefore don't buy a new one of these unless you really know what
you are doing and that you still want it. If any instrument really deserves
the term "tablehooter", then this loudly tooting plastic mock-up.
These drumpads are fake and only beep. |
Here you can see the extremely wacky keys of this thing. |
The box shows a different variant with black case. |
Although this shanzhai
joke looks like a modern digital stereo keyboard, its tone generator is
only a monophonic tooting transistor circuit with vibrato in the technical
standard of a 1970th toy organ. Its sound and technology can be compared
best with
a Stylophone.
The only modern component was a monophonic melody
IC (COB module) that sounds worse than most melody greeting cards. But
the analogue hardware is well suited for circuit bending; with some modifications
you can get a lot of bizarre buzzy analogue electro noises out of it.
| Important:
Until mid of 2000th many variants of such transistor tooter toy keyboards
were made and offered as bargain or tombola prize. But particularly the
larger models have become almost extinct because they were excessively
fragile and considered useless by most people. Thus if you ever find one,
do
not throw it away! These are ultra-rare now and have become collectable. |
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On the package box of this instrument is a picture
of a black case version with the model name "SUNNY". A black case
variant of this instrument was also released as MS-7A and MS-8A
by
Yongmei (brand label was too blurred, but seen on the Yongmei
site).
Here comes a dose of finest prose, found on the box - what it means...
Who knows?!
main features:
-
flimsy golden metallic, semi-transparent plastic
case in the style of a modern stereo keyboard (but with only one speaker
inside); it has a white logo with camel and pyramids (blatantly copied
from "Camel" cigarette packages).
-
very flimsy 44 mid size keys (with a row of likely
hand- bent and soldered very crude tin leaf switches and resistors underneath).
-
transistorized monophonic sawtooth(?) tone generator
(without envelope) on a 1970th style analogue PCB.
-
switch for 2 timbres (pitch changes slightly when
switching it)
-
switch for 2 volume settings (terribly loud, and
louder!)
-
vibrato switch.
-
12(?) demo melodies monophonic melody IC "A7" (squarewave
without envelope) that sounds worse(!) than average electronic melody greeting
cards.
-
mock up of a control panel with lots of alphabetic
labelled buttons those look like sound/ rhythm stuff or similar, but they
are all wired parallel and just select the next demo melody from the melody
chip.
-
a "play/store" switch switches between keyboard play
and demos.
-
3 fake drumpad button mock ups those only play keyboard
notes
-
microphone jack
-
power supply jack originally wired parallel(!) to
the battery compartment =>batteries may EXPLODE when using an AC adapter
without removing them.
modifications:
-
AC adapter jack rewired correctly: polarity protection
diodes and voltage regulator added.
-
sound output cinch jack added.
-
real volume control pot added.
-
3 sound manipulation pots added; they change pitch
and can make some bizarre, buzzy, partly almost voice- like wah- wah noises
when turned during the play of notes.
-
"play/ store" switch re-wired to enable the melody
IC to play simultaneously with the keyboard.
-
semi-transparent case upgraded with a green LED below
the keys and an orange one under the camel logo. Modified pictures from
"Camel" lung torpedo box added to the rear side and painted with the logo
"MUTANT CAMEL".
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These are the knobs I added. |
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notes:
In the (once widespread) class of monophonic transistor
toy organs with vibrato this thing is unique because with 44 keys it is
one with the longest keyboard. The modified instrument can make lots of
very buzzy and thin low tones (well suitable for "Flat Beat" style electro
musics) and especially when an unregulated AC adapter is set below the
necessary voltage of my voltage regulator, the instrument modulates all
tones with mains hum which adds to them an even more rough and buzzy appeal.
This tablehooter sounds very unique and its creaky bass sounds have little
similarity with nowadays average synthesizers (nor with TB-303). The most
similar sounding professional instrument I found is the historical monophonic
tube keyboard Jörgensen Clavioline
(although the latter can do many other timbres due to its filters and suboscillator).
Unfortunately the keys of my "Mutant Camel" are
very flimsy (and might easily crack off when accidentally bent upwards),
their leaf contacts often bend or tangle with cables and also the control
panel switches may fail by oxidation because they scratch around on bare
copper PCB traces (see Golden Camel-11AB
photos), though I would not describe it as anything remotely "stage proof".
 |
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Here you see how transparent the flimsy plastic is. |
The case style and control panel layout of the
Golden
Camel-7A was likely imitated from Bestar
MC 3300. A direct successor of the 7A was released as Miles
- Golden Camel-11AB, which looks very similar but contains crude
digital sound hardware instead. Another 7A variant with rhythm chip
(but likely still transistor tooter main voice) was released as EGroovz
Composer 1 (silver metallic case, 4 red drumpads, 5 slide switches,
made
by K-Group Industries, sold in 2005 by
Toys'R'Us
for 19.95$), which on Amazon.com got the worst destructive mocking
critics thanks to its earbleeding loud tone and fragile construction. Other
variants of the Golden Camel-7A (usually with less keys) were sold
under many different brand names; e.g. a 24 keys variant has the name "Panashiba
PS-100" and a 37 keys one "Jia Yin JY-3712A" and there are many
others. Keyboards of this analogue tooting transistor hardware class can
be recognized without hearing them by their lots of buttons labelled with
alphabet letters and especially a "play/ store" slide switch; often there
are also other slide switches labelled with alphabet letters. Also 3.5
mm microphone/ AC- adapter jacks with a strange (usually yellow) plastic
rim are a typical feature.
The genuine manufacturer of all these wacky tablehooters
seems to be the obscure Chinese company Yongmei (see here
for their internet site); according to their proudly boasting "about us"
page, their keyboard factory subsidiary is Meisheng, which uses
only imported ICs and makes no own ones. The model names of their instruments
often begin with "YM-" (=Yongmei), "MS-" (= Miles, MeiKe,
MeiSheng) or "JY-" (=Jia Yin), but there are also others.
A more complete list is here.
| Here are some eBay
photos of other keyboards in the Yongmei transistor tooter hardware
class. (I don't own these.) As usual, colours and "brand" names of all
these case variants vary a lot. (I guess in this case the manufacturers
know well why to change their name regularly - there must be an awful lot
of angry customers around now those certainly never want to buy such a
tablehooter again nor will recommend anybody else again to buy them...)
Also the demo melody chips seem to vary.
|
This one is the definitely most bizarre and top
of the line model of the Yongmei transistor tooter hardware class
(see above), because this huge monophonic
tablehooter has indeed 54 fullsize keys, a flashing light bulb, 4 OBS rhythms
and even a real rhythm tempo slider (controls simply the rhythm chip clock
rate) despite its main voice can only produce a very loud monophonic beep
with vibrato. Additionally it contains a chip with 4 sample based preset
rhythms. The instrument was released by Kamichi (not "Kamico" as
I thought first) and another one was named XH-210 (both seen on
eBay),
but my specimen is missing the box and has no brand label at all.
I guess that this loudly tooting plastic monster
will likely become rare in sooner future, because I really don't want to
imagine how many annoyed owners, parents or listeners finally smashed them
- considering them a mock-up or nasty joke article. Also for a professional
stage keyboarder it must be a strange "Candid Camera" experience to get
spontaneously confronted on stage only with this "ersatz"- instrument in
an unexpected situation. Otherwise for a circuit bender the Kamichi
is certainly an interesting find, because it has a long keyboard, is less
fragile than the 7A, and with some
mods you can get some really weird analogue timbres out of Yongmei's transistor
circuit.
I saw this thing first in 1990th on a flea market
in Bremen; it had the typical alphabet buttons and 5 circularly arranged
red buttons with rhythm names on them, but I didn't ask for the price
at that time, since I was carrying already much other stuff and my den
stands already plenty full of other keyboards and videogames. Later someone
demanded 10€ (too much) for such a thing. Years later I finally bought
mine on a flea market; it was in very bad condition with many scratches,
one speaker loose, several key hooks and a jack broken and some cables
torn off, but it costed only 1.50€. I am still not sure if I have
re-soldered all cables correctly back into place, because the previous
owner had connected at least the "play/ store" switch wires wrongly (which
disabled the melody chip).
main features:
-
big black plastic case with 2 speakers (wired parallel,
not stereo)
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54 whacky fullsize keys (with a row of likely hand-
bent and soldered crude brass(?) leaf switches and resistors underneath).
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switch for 2 volume settings (terribly loud, and
louder!)
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7 timbres selectable through 3 "tone" switches (those
mix 3 differently filtered versions of the waveform together)
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4 OBS preset rhythms (disco, swing= tango, chacha,
rumba); 1 button is a doublet
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4 drumpad functions (through rhythm select buttons
when rhythm is off)
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tempo slider (simply controls rhythm IC clock speed)
-
8 demo melodies on monophonic melody IC "AI 71" (squarewave
without envelope) that sounds worse (!) than average electronic melody
greeting cards.
-
mock up of a control panel ("computer select") with
lots of alphabetic labelled buttons those look like sound/ rhythm stuff
or similar, but they are all wired parallel and just select the next demo
melody from the melody chip.
-
a "play/ store" switch switches between keyboard
play and demos
-
transistorized monophonic sawtooth(?) tone generator
(without envelope) on a 1970th style analogue PCB; vibrato can not be turned
off.
-
separate small COB rhythm IC module "HGC5".
-
light bulb lamp (lights up during loud sounds)
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battery compartment for 6 big C size batteries
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microphone jack
-
power supply jack originally wired parallel(!) to
the battery compartment =>batteries may EXPLODE when using an AC adapter
without removing them.
This
is an eBay picture. My specimen has different button colours and
lacks the original box and microphone. |
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The "computer select" keypad is as fake as on Golden Camel-7A. |
eastereggs:
-
The "tone" switches slowly fade the timbre and volume
and thus provide a crude envelope effect when switched while notes are
played. Particularly switching from (0,1,0) to (0,0,1) mutes the sound
and makes it fade louder for 1 second. With all 3 switches off (i.e. down)
no sound is played. The switch settings also modify the rhythm timbre in
a similar way.
modifications:
-
AC adapter jack replaced and re-wired correctly
-
real volume control pot added (which also distorts
at low volume)
-
tempo potentiometer range extended
-
(I didn't upgrade this instrument more because I
already own my Mutant Camel,
but since it is analogue, it can be certainly modified similarly.)
notes:
The case shape (besides control panel) of this shanzhai
instrument was likely modelled after some early 1990th designs of the Casio
CTK ToneBank series, and the lamp cover resembles much the one of the
Animal
Keyboard toy instrument. The case and keyboard of the Kamichi
is a bit more robust than the fragile Golden
Camel-7A (and thus with some care certainly stage usable). In spite
of this the plastic hooks under 2 keys of mine were cracked off, thus I
fixed them with hotglue and a piece of thick insulated copper wire. The
tempo potentiometer slider made a bad contact with its metal contact trace,
thus I wired a soft wick cable to it to fix this. The main PCB has a different
shape than with the 7A, but the rest is technically very similar. A small,
dim light bulb flashes like a music light, but only during very loud sounds.
(Without my additional volume pot it always played quite loud, but possibly
the lamp just responds badly by confused cables.)
This instrument has 4 sample based rhythms, those
select buttons also work as drumpads when no rhythm is played. 1 of the
5 rhythm select buttons is fake (wired parallel with another), thus there
are only 4 rhythms and they also have no similarity with the button labels.
I therefore have written down the 4 real rhythm patterns here:
| button label |
drumpad sound |
real rhythm pattern |
| disco |
cymbal [c] |
[b-sss-s-b-b-t-t-] |
| swing, tango |
snare [s] |
[b-b-s-b-] (rock) |
| chacha |
tom [t] |
[c--cc---] (swing made from cymbal only) |
| rumba |
base [b] |
[b---b---b---bsss] (4beat with drumroll,
majestic march?) |
Someone e-mailed me that another transistor tooter
with the same rhythm chip was the Yongmei YM-398B (37 keys, grey
case?, mains operated).
transition Yongmei
keyboards
The company Yongmei
(or Meisheng) apparently first built only their infamous transistor
tooters (with monophonic analogue transistor tone generator, incredible
cable mess and sheet metal contacts inside, see above).
Nowadays they make keyboards with fairly normal looking PCBs, (kind of)
silicone rubber contacts and digital single chip CPU. But in between there
was a short intermediate period where Yongmei made keyboards with already
a digital sound generator chip but still the case style and cable mess
of their former transistor tooters; these can be recognized because they
still have multiple slide switches but typically already real preset sound
and rhythm names instead of alphabet letters on their button fields.
Golden Camel-11AB |
MeiKe MK-320B |
Yongmei MS-110A, MS-210B |
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These "transition Yongmeis" were produced only
for a very short time and thus are the rarest of all Yongmei keyboards
(including e.g. Golden Camel-11AB,
Yongmei MS-110A,
Yongmei MS-210B,
MeiKe
MK-320B, Yongmei MS-200 and Yongmei YM-378D). But
also the larger transistor tooters have become rare, since by fragility
and ear tormenting loud tooting they will certainly not survive parental
rage attacks and end smashed in trashcans as quickly as they were botched
together (a fate that also decimated the legions of wacky late 1980th boomboxes).
Nowadays
Yongmei makes beside horrible yelling toy squeakboxes even
professional MIDI keyboards with LCD and 61 velocity sensitive fullsize
keys, but I have not heard any of these yet. (Possibly they contain Medeli
hardware.) On
eBay I also saw many semi- professional Yongmei sound
bank keyboards with fullsize keys; by their case design they are likely
made by the same manufacturer like the Sankai keyboards (see
here).
But at least the ones I bought in the noughties were still ridiculously
bad and full of flaws (see e.g. Yongmei
DL-2300,
YM-3300,
YM-6700).
| removal
of these screws voids warranty... |
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